I had not actually planned to write this post but am doing so on the insistence of some of our friends on Twitter who think, quite rightly, that that medium is a rather ephemeral one and the information supplied on it should be preserved in a relatively more easily accessible format such as this one.
This post is a follow-up to Pakistan Media Watch's scrutiny of an apparent campaign against well-known journalist and television anchor Najam Sethi, which raises some very valid questions about who is behind the vilification and to what end. They are obviously mainly rhetorical questions since we can all tell what the possible motivations are when one looks at some of the illustrious names involved and the means employed. However, the PMW post also includes links to two television appearances by current Dunya TV talk show host Mubasher Lucman, wherein he attacks Sethi by name almost without provocation, and this is what prompted sharing this story.
Here is the first of them, from Lucman's own programme Khari Baat - Lucman Ke Saath from September 26. The relevant bit begins around 8:45 into the clip when Lucman suddenly diverts a discussion about US-Pak relations into an attack on Sethi:
For those who cannot understand Urdu, here is a brief transcript of the relevant comments between Lucman and his guest, the reporter Sami Ibrahim who until recently covered the US for Geo in Washington and now works for Dunya:
I will come back to Lucman (whose claims that Sethi says what he says to get US nationality for himself and his children could easily fall foul of defamation laws) but just want to point out a couple of things about what Sami Ibrahim says. For those who cannot tell the nuances from the translated transcript, Sami is obviously very much in on the diatribe against Sethi, the fake berating by Lucman belied by the unabashed smile on Sami's face. Secondly his attack on those journalists whose earnings are tied to the US is a bit rich coming from someone who represents a channel that has taken US funding to set up a bureau and pay the salary of its correspondent there.
In any case, coming back to Lucman, here is the other clip that PMW linked to, this one from the morning show on Pakistan Television earlier that same day, hosted by former film star Noor, in which Lucman is a guest. The relevant bit begins around 2:00 into the clip:
Here, once again, is a translated transcript of the relevant portion:
Now, Lucman's dislike for Sethi and Sethi's views can be justified as his opinion and aside from the potential slander pointed out earlier, the principles on which Lucman professes his antipathy to Sethi cannot be called into question. Many 'nationalist' Pakistanis would feel the same way in theoretical terms about anyone who was promoting the agenda of some other country because of some vested interest. But note that I am NOT going into the actual content of what Lucman finds disturbing about Sethi's views - personally I have never considered Sethi's criticism of the Pakistani state as denigrating Pakistan, rather perfectly valid critiques that any right-thinking person needs to make - and as PMW has shown, there seems to be far more to this campaign than the simple views of a man who equates critique of the establishmentarian mindset with bad mouthing the country (and it should be remembered that Mubashar Lucman's father was, after all, in the military).
But what I find rather rich is the self-righteous claptrap about "defaming Pakistan" Mr Lucman is able to consistently spew on television (he has vigorously defended match-fixers such as Salman Butt and attacked rape survivors such as Mukhtaran Mai on his programme), given his own rather chequered past. I want to relate a small anecdote that should show how much he actually has done to keep Pakistan's flag flying high.
In 2005, before his advent on TV, Mubasher Lucman directed his first and (thankfully) only feature film, Pehla Pehla Pyar. The hype was immense but when it was finally released in 2006, it turned out to be the biggest flop of the year. However, the controversy that simultaneously engulfed Lucman was far more problematic. It turned out that Lucman, who had had post-production work done at a lab in Thailand had fled from there without paying off his bill, valued by the studio at around US$80,000. In fact, he had defrauded the lab by taking a work-print (which is sort of an unfinished draft print) on the pretense that he needed to have the film censored in Pakistan, and then used that print to make cinema release copies from other labs in India. (Labs generally do not release prints or negatives until their bills are settled.) The result of this fraud was not only that the release prints were of very poor quality (made as they were from an unfinished work print rather than the original negatives which were still with the Thai lab), but that Thai studios collectively banned all Pakistani filmmakers from using their facilities. In addition, the Thai lab then wrote a letter to Pakistani film associations detailing the fraud. Under the threat of legal action and immense pressure from film associations in Pakistan, Lucman finally, ostensibly, settled the dues, allowing Pakistani filmmakers from accessing Thai facilities once again.
And that is how Mr Lucman contributed to raising the stature of Pakistan himself. Ostensibly this was not considered when he was conferred Pakistan's third highest civilian award, the Sitara-e-Imtiaz this year. But what's that they say about those living in glass houses?
This post is a follow-up to Pakistan Media Watch's scrutiny of an apparent campaign against well-known journalist and television anchor Najam Sethi, which raises some very valid questions about who is behind the vilification and to what end. They are obviously mainly rhetorical questions since we can all tell what the possible motivations are when one looks at some of the illustrious names involved and the means employed. However, the PMW post also includes links to two television appearances by current Dunya TV talk show host Mubasher Lucman, wherein he attacks Sethi by name almost without provocation, and this is what prompted sharing this story.
Here is the first of them, from Lucman's own programme Khari Baat - Lucman Ke Saath from September 26. The relevant bit begins around 8:45 into the clip when Lucman suddenly diverts a discussion about US-Pak relations into an attack on Sethi:
For those who cannot understand Urdu, here is a brief transcript of the relevant comments between Lucman and his guest, the reporter Sami Ibrahim who until recently covered the US for Geo in Washington and now works for Dunya:
Sami: ...Evidence exists with the Pakistan army that the CIA is involved in Balochistan and in the Tribal Areas and that India is fighting its proxy war. But the Pakistanis have not yet presented this proof [publicly].
Lucman: The problem is because of people like you, journalists like you who want to take favours from the US, and for which they are selling Pakistan and denigrating it... For example, people like, a name I took this morning in a programme too, Najam Sethi sahib...Look at how much he has maligned Pakistan just to get [American] nationality for himself and his children.. can you justify that?
Sami: Look Mubashar sahib, any journalist who keeps getting invitations from the US, whose earning comes from the US, he will obviously call Pakistan bad names and try and put American interests front and centre and try to justify it. And now if Sethi sahib is trying to do that...
Lucman: He's been doing it for such a long time and all of you are silent, all of you have made a lobby [for him], all of you America promoting journalists...
Sami: No, but I think the Pakistani people have understood these things. Whether it's such a journalist or politician or intellectual or whoever, I think they stand exposed. And now the way the Pakistani nation has expressed itself in a united way against the US, I don't think I am wrong in my understanding that the Pakistani people have understood these underhand tactics.
I will come back to Lucman (whose claims that Sethi says what he says to get US nationality for himself and his children could easily fall foul of defamation laws) but just want to point out a couple of things about what Sami Ibrahim says. For those who cannot tell the nuances from the translated transcript, Sami is obviously very much in on the diatribe against Sethi, the fake berating by Lucman belied by the unabashed smile on Sami's face. Secondly his attack on those journalists whose earnings are tied to the US is a bit rich coming from someone who represents a channel that has taken US funding to set up a bureau and pay the salary of its correspondent there.
In any case, coming back to Lucman, here is the other clip that PMW linked to, this one from the morning show on Pakistan Television earlier that same day, hosted by former film star Noor, in which Lucman is a guest. The relevant bit begins around 2:00 into the clip:
Here, once again, is a translated transcript of the relevant portion:
Noor: Which anchors are there which you think [present a constructive point of view on television]...?
Lucman: Better you not get me started... I can tell you the ones that I dislike intensely. I'll take the names too, I have no problems.
Noor: Ok, tell us.
Lucman: The one I dislike the most is Najam Sethi. Anyone who promotes America, I don't like. Those who earn from Pakistan, who have been made by Pakistan and then go and defame Pakistan, I curse such people. There are many such people.
Now, Lucman's dislike for Sethi and Sethi's views can be justified as his opinion and aside from the potential slander pointed out earlier, the principles on which Lucman professes his antipathy to Sethi cannot be called into question. Many 'nationalist' Pakistanis would feel the same way in theoretical terms about anyone who was promoting the agenda of some other country because of some vested interest. But note that I am NOT going into the actual content of what Lucman finds disturbing about Sethi's views - personally I have never considered Sethi's criticism of the Pakistani state as denigrating Pakistan, rather perfectly valid critiques that any right-thinking person needs to make - and as PMW has shown, there seems to be far more to this campaign than the simple views of a man who equates critique of the establishmentarian mindset with bad mouthing the country (and it should be remembered that Mubashar Lucman's father was, after all, in the military).
But what I find rather rich is the self-righteous claptrap about "defaming Pakistan" Mr Lucman is able to consistently spew on television (he has vigorously defended match-fixers such as Salman Butt and attacked rape survivors such as Mukhtaran Mai on his programme), given his own rather chequered past. I want to relate a small anecdote that should show how much he actually has done to keep Pakistan's flag flying high.
In 2005, before his advent on TV, Mubasher Lucman directed his first and (thankfully) only feature film, Pehla Pehla Pyar. The hype was immense but when it was finally released in 2006, it turned out to be the biggest flop of the year. However, the controversy that simultaneously engulfed Lucman was far more problematic. It turned out that Lucman, who had had post-production work done at a lab in Thailand had fled from there without paying off his bill, valued by the studio at around US$80,000. In fact, he had defrauded the lab by taking a work-print (which is sort of an unfinished draft print) on the pretense that he needed to have the film censored in Pakistan, and then used that print to make cinema release copies from other labs in India. (Labs generally do not release prints or negatives until their bills are settled.) The result of this fraud was not only that the release prints were of very poor quality (made as they were from an unfinished work print rather than the original negatives which were still with the Thai lab), but that Thai studios collectively banned all Pakistani filmmakers from using their facilities. In addition, the Thai lab then wrote a letter to Pakistani film associations detailing the fraud. Under the threat of legal action and immense pressure from film associations in Pakistan, Lucman finally, ostensibly, settled the dues, allowing Pakistani filmmakers from accessing Thai facilities once again.
And that is how Mr Lucman contributed to raising the stature of Pakistan himself. Ostensibly this was not considered when he was conferred Pakistan's third highest civilian award, the Sitara-e-Imtiaz this year. But what's that they say about those living in glass houses?
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